On Thursday and Friday, November 6‑7, Lakeland University will host the Great Lakes Writers Festival, a free, two‑day event that brings authors, readers, and students together for readings, master classes, and open‑mic sessions. The festival features notable writers Maggie Su and Albert Abonado, whose work spans fiction, poetry, and literary innovation. For anyone looking to immerse themselves in contemporary literature, refine their craft, or network with established authors, the festival is a pivotal opportunity to experience the writing community in a supportive, hands‑on environment.
The festival began in 1991 with a modest gathering of local writers and has evolved into a milestone event that attracts participants from across the Midwest and beyond. Over the course of thirty‑one years, the program has hosted more than fifty authors, from celebrated poets like Mark Strand and Billy Collins to emerging voices such as Albert Abonado, who earned a National Poetry Series nomination. The growth of the festival reflects a broader trend in literary culture: community‑based events help writers and readers build meaningful relationships, encourage dialogue about the state of contemporary writing, and boost local literary scenes.
The Great Lakes Writers Festival offers a range of workshops and interactive sessions that are designed to provide tangible learning experiences:
Students and independent writers can use these platforms to test their work, polish their style, and learn from seasoned creators about the art and business of writing.
Maggie Su is the author of the novel Blob (Harper, 2025). A distinguished figure in contemporary fiction, Su holds a Ph.D. in Fiction from the University of Cincinnati and an MFA from Indiana University. Her short stories have appeared in journals such as the New England Review and TriQuarterly Review. Su’s master class will focus on building immersive narratives and sustaining reader interest throughout a novel. Her workshop offers a roadmap for writers who want to transition from prose to book‑length projects.
Albert Abonado is best known for his poetry collections JAW (Sundress Publications 2020) and Field Guide for Accidents (Beacon Press 2024). A recipient of fellowships from the New York Foundation for the Arts and the National Endowment for the Arts, Abonado teaches at SUNY Oswego. His master class will tackle the mechanics of poetic rhythm, the courage to experiment with form, and the importance of authenticity in contemporary verse.
Each author session is structured to blend instruction and interaction. Attendees can expect:
Below are practical steps that help writers and students turn the festival into a valuable experience.
The festival program is listed on the official website, which provides a full day’s agenda. Download or print the schedule, and mark the sessions that align with your interests. Prioritizing sessions ensures you visit the most relevant master classes and readings without missing out on other events.
While the festival welcomes spontaneous open‑mic contributions, bringing a polished draft enhances the value of the feedback session. Choose a piece that exemplifies a challenge you’re facing—whether it’s pacing, character development, or thematic coherence—and set a goal for what specific advice you seek. This focused approach makes it easier for facilitators to offer actionable insights.
The Great Lakes Writers Festival is as much about networking as it is about learning. Share contact information—email addresses, social media handles, or LinkedIn profiles—with authors and peers. Following up after the event can open doors to future writing collaborations, mentorship opportunities, or even publishing inquiries. Consider creating a short, professional bio to circulate during the festival and on your social channels.
For those who find the festival inspiring, Lakeland University offers a comprehensive Creative Writing program that includes coursework in prose, poetry, editing, and publishing. The program’s faculty, many of whom have published in respected journals, provide tailored guidance and professional networking.
Volunteer involvement from Lakeland’s faculty and Bachelor of Fine Arts students is critical in orchestrating the festival. Their dedication ensures smooth logistics, quality programming, and an intimate atmosphere that encourages candid dialogue. The event also benefits from a generous endowment: the Lucille Fessler endowment supports the logistical costs and allows the festival to remain free for attendees. Understanding this synergy is valuable for future organizers or for writers looking to secure funding for their own projects.
If you’re interested in maintaining the festival’s free‑ticket model, consider volunteering. Tasks include registration, guiding attendees, or assisting in technical setup for live‑streamed sessions. Reserve a position by contacting the Lakeland University writing department or visiting the university’s volunteer portal. Your contribution strengthens the literary community and broadens your own skill set in event coordination.
1. A free, intensive two‑day festival is an efficient way to splash industry knowledge and inspiration into your writing practice.
2. Engaging directly with established authors through master classes heightens your understanding of craft disciplines.
3. Even limited exposure—such as an open‑mic performance—can refine your public‑reading abilities and reveal blind spots in pacing or diction.
4. Post‑festival networking can lead to collaborations that accelerate both your personal growth and professional exposure.
After attending the event, consolidate what you’ve learned by updating your writer’s portfolio with new insights. If the feedback revealed gaps in your manuscript, prioritize revisions to reflect that. Also consider submitting your work to local literary journals, many of which are inviting submissions for the upcoming calendar year.
The Great Lakes Writers Festival website offers downloadable materials, including session summaries, author biographies, and next‑step suggestions for continued learning. For a deeper dive into contemporary fiction and poetry, browse publications such as the New England Review or the Colorado Review where authors Maggie Su and Albert Abonado have contributed.
Whether you are a freshman looking for direction, an established writer seeking new audiences, or a writing educator exploring collaborative opportunities, the festival provides a platform for rich exchange. By attending, participating, and following up, you can harness the event’s momentum toward sustained growth in your literary career.